Samuel Wale and Eighteenth-Century Historical Engraving
Dr Isabelle Baudino, University of Lyon.
Dr Isabelle Baudino, University of Lyon.
Prof. Monica Bolufer (University of Valencia and a founding member of the CPBT ESF Workshop of 2013)
Dr Dennis Duncan (Munby Fellow, University Library, Cambridge)
Dr Joseph McDermott, Faculty of Asian and Middle Eastern Studies, University of Cambridge
A book launch for What is the History of the Book? by James Raven (drinks and refreshments; all welcome) followed at 5.30 by Dr Nil Palabiyik, University of Manchester, 'The Humanist Interest in the Ottoman Language: Marginalia and Annotations in Turkish Books from Early Modern Libraries'.
Prof. Porscha Fermanis, University College Dublin
Dr Christina Lupton, University of Warwick, introducing her new book (published by Johns Hopkins University Press in May).
Dr Makarchev talks about books from his collection. The talk is based on Nikita's prize-winning submission to Cambridge University's Rose Book Collecting Prize. The UL has put this online at: http://www.lib.cam.ac.uk/about-library/prizes-and-fellowships/rose-book-collecting-prize.
"In hurried steps a new 'red aestheticization' is being created... An ominous sign, this. Manufacturers of cliche they are" - Imaginists, Eight Points (1924)
This talk aims to rediscover the suppressed, avant-garde poetic voices that informed and underpinned the Russian revolution's preliminary years, 1917-1925. Through a collection of contemporaneous dissident poetry, the speaker aims to underscore the richness of radical enquiry and experimentation that Bolshevik censors saw as a 'malignant outrage... on mankind, and over modern Russia (Lunacharsky 1921). Further questions to consider include: What is the role of poetry in society? What new insights can these works teach us about the early 20th century avant-garde? How do these works transcend their time-period and remain relevant today?
Dr Joanna Maciulewicz, Faculty of English, Adam Mickiewicz University, Poznan, introducing her new book Representations of Book Culture in Eighteenth-Century English Imaginative Writing (published by Palgrave Macmillan in August).
Using a database of music publishers, this paper aims to uncover the individuals and geography of the trade, opening up music publishing to questions of class, gender, politics, and place. It also discusses how a digital humanities approach will facilitate a comparative history of similar studies of literary print, and, ultimately, how this will help to uncover the stories of those individuals working in the complex networks surrounding musical print.